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History at the Movies: The Middle Ages

Everyday Homeschoolingamy sharonyComment
History at the Movies: The Middle Ages

Not all movies set in the Middle Ages are created equal—which makes sense, since our understanding of what the medieval period was actually like has changed over time and remains fairly limited. But film can be a great way to bring history to life, and while these movies don’t get everything right, they make an effort to be accurate. And nitpicking the details is part of the fun anyway, right? (I think most of these are appropriate for older students, but you know your kids best and pre-watching is usually a smart idea.)

THE LION IN WINTER (1968)

About: Henry II, his wife Eleanor of Aquitaine, and their four sons spend the Christmas of 1183 at their castle in Anjou, sniping at each other. Eleanor is on holiday-release from the prison where her husband has her locked up while he tries to decide whether to cement an alliance with France by marrying the king’s sister (who also happens to be Eleanor’s ex-sister-in-law). Meanwhile Richard (the Lionheart), John, and Geoffrey try to jockey for position as their parents’ favorites. It sounds like a crazy, mixed-up family drama because it is—but also because that’s how things often ended up as royal families married each other and struggled for precedence.

Quotable: “Well, every family has their ups and downs.”

 

THE MESSAGE (1977)

About: The life of the prophet Muhammad is chronicled in this film, which generated controversy and violence when it was released in the late 70s. In the early medieval period, Muhammad established Islam in the Middle East, and this film faithfully chronicles the history of early Islam. Following Islamic tradition, viewers never see or hear Muhammad directly—instead, we follow other characters reactions to his presence or words. The Middle East played such a significant role in medieval history, it’s fascinating to see a slice of that history from this perspective.

Quotable: “Mohammed, when I hunt the desert at night, I know God is not kept in a house.”

 

A MAN FOR ALL SEASONS (1966)

About: Sir Thomas Moore’s refusal to recognize Henry VIII’s divorce from Catherine of Aragon and his assumption of the title of Supreme Head of the Church of England ultimately leads to his downfall. Though the film paints Moore as a hero, which may not be completely historically accurate, it captures the tension between the church and royalty that defined so much of medieval political history.

Quotable: “I do none harm. I say none harm. I think none harm. And if this be not enough to keep a man alive, then in good faith, I long not to live.”

 

THE PASSION OF JOAN OF ARC (1928)

About: This story of Joan of Arc, based on the actual historic records of her trial and sentencing, takes place after she’s been captured by the English. Believing she was called by God, Joan successfully led the French army to victory in several significant battles during the Hundred Years War, and she’s sentenced by the English-influenced clerical court to be burned at the stake for heresy. This film is a hero story for Joan, but it also captures the complex political maneuvering between the French and English and the vital importance of religion in everyday life.

Quotable: It’s a silent movie, but Maria Falconetti’s heart-wrenching performance is so powerful, you won’t miss the dialogue.

 

ANDREI RUBLEV (1966)

About: Andrei Tarkovsky’s film about the life of a fifteenth century Russian icon painter is rightly considered a cinematic classic. Set during a particularly turbulent period of Russia’s history—one that would end with the establishment of the Tsardom—it’s a thoughtful meditation on the role of art, and the interconnected, episodic structure captures vignettes of medieval life, including its violence and hardships as well as its simple beauty.

Quotable: “I am what I am. You couldn't teach me integrity.”

 

THE NAME OF THE ROSE (1986)

About: A murder at a Benedictine monastery famous for its library is investigated by a Franciscan monk with a knack for puzzling out mysteries in this adaptation of Umberto Eco’s book. This film really illuminates the insularity of monastic life, the earnest work done by monks to preserve classical literature in the middle ages, and the conflicts between and within different monastic orders.

Quotable: “My dear Adso, we must not allow ourselves to be influenced by irrational rumors of the Antichrist, hmm? Let us instead exercise our brains and try to solve this tantalizing conundrum.”